In one of the most compelling films to hold its world premiere at the Thessaloniki International Documentary Festival, archive footage shows an apparently amiable man dressed in black sitting for an interview with a Yugoslav journalist. The year is approximately 1977.
“Comrade, you are the first person to hear my biography,” the man says with a warm laugh.
The man is Pol Pot, the Cambodian dictator then in the middle of his four-year genocidal reign of terror atop his country, a period in which a quarter of the Cambodia’s population perished.
Director Enrique Sánchez Lansch tracked down the incredibly rare interview in the archives of Serbian TV. Pol Pot almost never spoke to journalists, and rarely, if ever, told the truth about his background. In the 1977 conversation, he paints a humble picture of his childhood – saying he grew up the son of a “peasant farmer.” That was a self-serving fiction with only a semblance of reality.
The true story of Pol Pot’s background – his formative years at Cambodia’s royal court and how his foster mother, a dancer at that court, raised him – emerges in Sánchez Lansch’s film Pol Pot Dancing.
“He would sort of advertise his upbringing and he would not give away that he was in any way connected to the dance or in any way connected to the Royal Palace,” Sánchez Lansch tells Deadline. “His version was a very modest one anybody could have had in any province, this kind of upbringing.”
There is greater significance to the film than simply fact-checking a dictator’s fabulist narrative. While he was in power from 1975 to 1979, Pol Pot’s regime brutally suppressed intellectuals and artists – including dancers. His policies nearly annihilated the country’s long traditions of Khmer classical dance, which serve as far more than cultural ornamentation but are vital to the Cambodia’s sense of self.
“If there are two basic pillars of Cambodian culture that everybody relates to, it’s the dance and it’s Angkor [Wat], the ruins of the temples of Angkor,” he says. “Even the people who don’t go to see shows regularly or never practice the dance, they really cherish this kind of dance and really look up to it and really look up to the persons who devote their time to performing this kind of dance. So, to destroy this dance was really destroying part of the identity of the country.”
Full: https://deadline.com/2024/03/pol-pot-da ... 235855781/
‘Pol Pot Dancing’ at Thessaloniki Int’l Documentary Festival
- Bong Burgundy
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‘Pol Pot Dancing’ at Thessaloniki Int’l Documentary Festival
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Further evidence that even mass murderers can enjoy the arts. Isn't it charming?
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The Khmer Rouge did have its own dancing troupes, this isn't the best example but I've seen others which look more traditional:
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